![]() (In the video below, the service starts around the 43-minute mark. Wise men say (x2) / Wise men say / Its so crazy / I got everything figured out / but for some reason. “When I was in my lowest points, God was there with me and sending me visions and inspiring me, and I remember sitting in the hospital at UCLA after having a mental breakdown, and there’s documentations of me drawing a church and writing, ‘Start a church in the middle of Calabasas.’” “I know that God’s been calling me for a long time and the devil’s been distracting me for a long time,” he said before a crowd of about 17,000 at Osteen’s church. Discover new artists and listen to full albums from your favorite bands. ![]() The xx, AMV, Julie Fowlis (Brave OST) + Download, Brave (Gingertail Cover), Miraflores, Emorej, Kanye West/Lupe Fiasco FM4 Morningshow, Chris. The “Jesus Is King” rapper answered each thoroughly in his signature “stream of consciousness” style, making several eyebrow-raising statements throughout. Lyrics, Song Meanings, Videos, Full Albums & Bios: Touch The Sky, Kanye West, Hillsong United, Kanye West vs. He sang, "Her love is a thousand miles away," seated halfway up his staircase to nowhere, grappling with a past he still seems determined to overcome - no matter how complex the production.Kanye West brought his famous “Sunday Service” to televangelist Joel Osteen’s megachurch in Texas this weekend, and he had many thoughts on God, the devil and everything in between.ĭuring a 20-minute Sunday spot, West took the stage at Osteen’s Lakewood Church in Houston, alongside the celebrity pastor, who prompted his special guest with questions about his upbringing, faith and music. It was West's most wrenching performance of the evening. Most stood for the entire set, singing along to songs, watching West bring to life lyrics they had hummed for years.īut nothing illustrated West's penchant for emotion-fueled spectacle than the snow flurries he unleashed above the audience for "Coldest Winter." The manufactured snow swirled gracefully as he sang about his mother's death, its feather-like flakes making it halfway to the ground before they dissolved in the L.A. But clearly, he'd already connected with the audience. It was one of the few times that West, who's conditioned us over the years to expect his endless monologues, spoke directly to the capacity crowd. West rolled with it, though, breaking character at one point to joke about the mistakes with the audience: "This is one of the best dress rehearsals, so excuse me. And the fireworks that were supposed to punctuate various high points in numbers seemed timed for a less complex sort of show, one that perhaps didn't involve rappers syncing with string sections, marionette sketches and staircases to nowhere. Prerecorded backing tracks occasionally wrestled with the orchestra. Between numbers, there were odd pauses that appeared unplanned rather than designed to build tension. Like West, the multi-faceted production came with flaws. It was proof that no matter how big Kanye gets, he still isn't afraid of appearing entirely immature, if not embarrassingly nerdy.Īt the back of the Bowl, an angel-like figure looked down upon the venue, but the heavenly body was in fact a Hollywood star - Zoe Kravitz - who was disguised behind metallic face paint.įor West's final number, "Pinocchio Story," he came out covered head to toe in burlap, face obscured, and moved around the stage in as if a puppet on strings. ![]() The sounds of gunfire cut through the song, then West fell to the stage floor, writhing in an over-the-top display of pain. Onstage, he likened the emotional impact of receiving bad news, in his song "Bad News," with the violent act of being gunned down. In pure Kanye fashion, though, these raw moments were matched by the melodrama we've come to expect from a man who's showing his line at New York Fashion Week one moment, posing for the paparazzi with his Kardashian bride the next (and all in the wake of his VMAs announcement of a presidential bid). The cast of men dispersed into the crowd, roaming the aisles as if human embodiments of West's restlessness. The glowing white lights above turned red, reflecting his increasingly impassioned delivery. By "Love Lockdown" and "Paranoid," at least 60 shirtless men - all of color, all rubbed down in white powder - stood behind West on a stage-set of stairs.
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